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Athletics Arts & Culture Campus & Community People Research
Athletics Arts & Culture Campus & Community People Research

Short-term Art, Long-term Hopes for College Park

Art Terp Tuesday final NO BANNER 230x200 John T. Consoli
John T. Consoli

This week only, the landscape of downtown College Park is a little more whimsical. And thoughtful. And connected.

Students in a new public art and design course have installed five temporary artworks on streets, in open spaces and in other nooks of the city for view May 11–16, in hopes of sparking conversations about the relationship between the university and College Park. 

On Monday, passersby paused and drivers turned their heads to stare at the works, such as reflector-covered poles lining a sidewalk, a blown-up globe between a pair of park benches, and three platforms bearing chairs and tables and festooned with a canopy of colored ribbons, on a grassy area just outside City Hall. 

Architecture Associate Professor Ronit Eisenbach, with sculptor and art Professor John Ruppert and urban planning Professor Gerrit Knapp, director of the National Center for Smart Growth, taught the “Making Place Work” class to a mix of art, architecture and landscape architecture students.

“We wanted them to think about spicing up College Park a bit, and raise possibilities about what could happen here,” she says.

The course is supported by UMD’s Academy for Innovation and Entrepreneurship and Partnership for Action Learning in Sustainability (PALS) program, in which students and faculty work with local governments in Maryland to solve real community problems.

The students first explored the challenges the city and university are now confronting to make College Park’s downtown more vibrant, diverse and attractive. Then, split into teams, they explored different concepts in the city-campus relationship, such as blurring the boundaries between them or emphasizing the quiet areas or creating a place to mingle. They worked with the property owners—the university, its foundation and the city—to secure short-term use of the spaces, and raced to design and build their visions.

Architecture graduate student Prakruti Hoskere was glad to get experience in collaborating and constructing a design on a budget, and has enjoyed watching people interact with her team’s piece, “Room Garden.” 

“I really feel that these projects can help make College Park a better place,” she says.

For more information, visit makingplaceumd.wordpress.com. Passersby can connect via Twitter #CPMakePlace.

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“Beginnings” by Wadjah Akbar, Eloy Arco, Jessica Brown, Thomas Geppi and Varsha Iyegnar. The series of salmon-colored poles marking a little-noticed path from South Campus to Route 1 aims to create a more visually engaging transition area between the university and city. Photo by John T. Consoli
“Beginnings” by Wadjah Akbar, Eloy Arco, Jessica Brown, Thomas Geppi and Varsha Iyegnar. The series of salmon-colored poles marking a little-noticed path from South Campus to Route 1 aims to create a more visually engaging transition area between the university and city. Photo by John H. Ruppert
“Breeze” by Megan Beveridge, Lauren Lee and Josh Nelson. Scores of paper hats illuminated by colored lights or covering tiny round bells hang mobile-like from an overhang behind the building housing Marathon Deli and 7-Eleven. The area is heavily trafficked at night by students. “We wanted to create something that would slow people down to engage with a work and celebrate the quietness of College Park,” says Lee. Photo by John T. Consoli
“Breeze” by Megan Beveridge, Lauren Lee and Josh Nelson. Scores of paper hats illuminated by colored lights or covering tiny round bells hang mobile-like from an overhang behind the building housing Marathon Deli and 7-Eleven. The area is heavily trafficked at night by students. “We wanted to create something that would slow people down to engage with a work and celebrate the quietness of College Park,” says Lee. Photo by John H. Ruppert
“Imploding Composite Uncertainties” by Ayana Cotton, Edward Gough V and Azadeh Babaei. An unworldly object of metal, twine, rope, aluminum foil and plastic has “landed” in a paved area for park benches, seeking to inspire a sense of awe and wonder and to encourage conversations and questions. Photo by John T. Consoli
“Imploding Composite Uncertainties” by Ayana Cotton, Edward Gough V and Azadeh Babaei. An unworldly object of metal, twine, rope, aluminum foil and plastic has “landed” in a paved area for park benches, seeking to inspire a sense of awe and wonder and to encourage conversations and questions. Photo by John H. Ruppert
“Room Garden” by Andrew Burans, Jonathan Gemmel, Prakruti Hoskere and William Weiler. Three wooden platforms just across from Cornerstone Grill & Loft support seating areas of neatly arranged chairs and tables, inviting people to sit and talk, all under a tent-like cover of red, white and yellow ribbons. It’s simultaneously festive and dramatic, and a magnet for the curious. Photo by John T. Consoli
“Room Garden” by Andrew Burans, Jonathan Gemmel, Prakruti Hoskere and William Weiler. Three wooden platforms just across from Cornerstone Grill & Loft support seating areas of neatly arranged chairs and tables, inviting people to sit and talk, all under a tent-like cover of red, white and yellow ribbons. It’s simultaneously festive and dramatic, and a magnet for the curious. Photo by John H. Ruppert
“Where’s Petee?” by Vanessa Liminski. Liminski’s spray-painted stick figure pops up in 25 locations around the other four art installations: walking up a retaining wall, painting a stripe on a crosswalk or climbing a large garden rock. She invites pedestrians to look up from their smartphones and to notice their surroundings through a fun, scavenger-hunt-like activity. Photos by John T. Consoli

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